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The "Digital Hopes" exhibition — a special project of the International Biennale of Ecological Art — has opened at the TSEKH space. The company dreamlaser is a co-organizer and technical partner of the project. The exhibition runs from May 17 to August 10, with more details and tickets available on the TSEH website.
Digital technologies provide a powerful toolkit for contemporary artists whose work explores the merging boundaries between the man-made and the natural, the digital and the physical, the organic and the inorganic. Media technologies and big data have reshaped how we view nature. The planet itself is gradually being digitized, turning into a geoinformation system, while reality becomes augmented.
Digital art experiments with life in a damaged world and creates space to address the emotional trauma of climate change, environmental pollution, and species extinction. It also plays a vital role in preserving our collective memory of life on Earth.
The exhibition at TSEH features works by artists from various countries who visualize the inevitability and irreversibility of many natural processes — yet at the same time, offer hope for a fragile reconciliation with planet Earth.
"Artificial Wild Dream" by Ronen Tanchum explores the hidden inner world of artificial intelligence — the machine's interpretation of life, its perception of the organic world, and its poetic narrative of growth and transformation.
In Jardins d’Été, Davide Quayola uses technological tools to capture subtle environmental nuances imperceptible to the human eye, presenting the landscape through a machine's gaze.
"Abyssal Seeker" by Joey Holder presents the deep sea as a metaphor for the limits of human knowledge — a space beyond categorization and taxonomy.
Surrounded by VR headsets and cables and resembling the symbol "zero," Recycle Group's "Closed System" is a metaphor for continuous communication within the digital network.
The "Forest of Expired Links" installation transports viewers to an artificial landscape resembling a tropical jungle, where recycled plastic constructions stand in for living trees.
"52 Hz" references an ancient Japanese myth of a ghost whale — a giant skeleton rising from the ocean depths as a sign of warning and retribution.
The audiovisual installation adrift by the metanoeia studio is based on a generative algorithm that simulates glacial melting.
"Talking Sun" by Apollinaria and Kira G transforms the natural vibrations of the Sun into a sensory symphony.
FLORA by Ozan Turkkan focuses on the fractal geometric structures of nature and its generative systems, exploring a digital archive of biological forms.
"Singularity Point" by Sila Sveta x MTS Live is an artistic interpretation of the origins of the Universe, featuring Russia’s first fully enclosed 360° LED sphere with a 10-meter diameter.
The Biennale of Ecological Art is a multidisciplinary and multi-genre event entirely devoted to rethinking the relationship between humans and nature. It is the first of its kind globally, organized at the initiative of the Government of the Nizhny Novgorod Region and the Triumph Gallery (Moscow).
Dreamlaser is the technical partner of the project